![]() ![]() Some have a few extra features and can provide more scope of sound. Rather than if you were to use an SPL transient designer for this when increasing the sustain amount the low end can rumble.Īll transient designers are good. Then you may wish to add sustain to the top of the snare so that the high frequencies ring out more. By doing so you add punch to the snare in the low end adding attack to the body and not to the higher frequencies that may cause the snare to become harsh. So what does this mean? Well it means that by selecting to use the transient designer in this mode you can increase the attack on a snare drum in a specific frequency such as the 200Hz sweet spot. You can select the frequency range in which you add or decrease the amount of attack or sustain. The SPL and Elysia versions are similar but the Elysia has a key feature that makes it more versatile. So much so I bought the 500 series Elysia Nvelope for our mastering studio to use as a transient shaper in the mastering chain. Not that I don't love the SPL transient designer. ![]() Now this transient designer is one I love. ![]() ![]() A simple but very effective transient designer. With regards to features the SPL version is as simple as it gets. I find the SPL to be one of the most pleasing to the ear. I will use this version if I need to design the transients across the entire frequency range. Out of all the transient designers I have this is the one I will use most often. But is it the best? Well it's good, it does the job and it does it very well. The plugin is still to this day the most popular and the transient designer you think about when someone mentions a transient designer. The hardware version was one of the first of it's kind and was a tool that was found in almost every studio before plugins became so popular. This version of the transient designer for me is what I grew up using. Ok let dive straight into the question were here to answer.Īll transients designers are similar, all will work in a similar way but some have a lot more in depth features that make designing your transients easier and to a better effect. It works in far more depth than a simple ADSR but works in a similar way. Imagine a transient designer as an ADSR but you only have the attack and sustain controls. The sustain can be increased to allow more release of the snare drum. For instance on a snare drum the attack can be increased on the snare to add more snap and punch to the beginning of the sound. But which one should you buy, this is what we are going to discuss here.įirstly lets quickly go over the question.Ī transient designer is a tool used to shape the transients of a sound. All transient designers work in a similar way, they all achieve the goal of shaping the transients. For us at Audio Animals it's an essential tool. The transient designer is a tool that is often forgot about or not even known about. ![]()
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